Thursday, May 19, 2011

We Sound Hysterical: Fear and Vulnerability in White Women Speaking Out Against Racism


When well-meaning white people talk about racism, our voices sound odd.

Her voice trembles, then rises, and I hear my white friend say, "I am just tired of it not being okay for me to talk about race. That's bullshit." I look around the table at the other women and wonder how safe it is for my friend to talk about race here. We are well-meaning liberal feminists, mostly white, one woman of color. I think it is pretty safe for my white friend. But I don't know. The way her voice shakes and she seems about to shout, start an argument, maybe punch someone? She is defending herself, that is clear. She is ready to fight. But what I don't know is, who is she fighting with?

For white people to cop to racism and our participation in it can be an act of courage. It can mean standing up to the slaveowners: family, mentors, teachers, pastors, people we love and admire.

At work if I talk about race everyone gets uncomfortable and I hear, loud and clear in their posture, that they would rather I just move on. But they are anxious, too, anxious (because it is work) to give the right response, to support me and my "pet" issue. So if I speak about racism at work I know that I am always walking into / answering against a mix of fear and anxiety...and it is very clear to me that it is my fault. 

By talking about race, I have raised up fear and anxiety. Part of why my co-workers wish I would just shut up is because fear and anxiety are uncomfortable feelings. Work is about being a team, from bagels in the morning to happy hours at Sam's, we are a family. "Let's all get along" sounds like "let's be white" to me...let's pretend that race isn't an issue, which means pretending we are all white (we aren't) and that the experiences of co-workers of color aren't any different than white experience...at least not enough that we should talk about it.**

My friend Vanessa tells me that she knows that it is her job, at work, whenever the subject of race comes up, to make sure that white people are comfortable. If she needs to talk about discrimination, not just as a big vague institutional something, but as a personal call to accountability for specific behavior, in any context, it is important that white people be protected from uncomfortable feelings. She tells me that she was taught this, has learned it since she was young, because that is what a Black woman must do to survive.

To survive. Not to be accepted or liked or promoted, but to survive.

In my white experience I have not had to act a certain way to survive...not as a white (male) person. My whiteness has always protected me. Being female in a man's profession has been dangerous. Being lesbian in a rural community was dangerous (and I moved back to the city). In both places, I have sometimes leaned on being white to keep me safe. Stopping for gas late at night, I am relieved that if I must be female, I am still white. Out in the woods with my girl on a camping trip, when the "good" ol' boys with guns drive by in their pickup, I am glad I am white. White is a cloak I can wear, over my lesbian female body, to help keep me safe.

A white lesbian acquaintance tries to explain about her mother. Her mother is definitely racist and is also the sweetest woman who doesn't mean to be racist. The white lesbian wants us to know where she stands. She does not agree with the sweet racist woman who raised her. As she talks, the white lesbian's voice gets loud and I can start to hear this desperate assertion, almost like exaggeration, a case being made to prove the white lesbian's innocence.

Innocent means Not Guilty. But my acquaintance and I - we are both guilty. I am guilty. Guilty of wearing the cloak of white protection on purpose, in times of danger, and mindlessly, every day, without thinking.

Melodrama. That's what I've heard in other well-meaning white people's speech. I hear it in mine. My voice is too loud, a little false, like a made-up story is coming, like I am not sure the words belong to me. Stepping out of line, out of the usual role, my words seem melodramatic, almost over done.

I have been working on cultivating gentleness, for myself, for others. But there are times when gentleness does not serve us, and when the courage it takes for white people to speak must be placed beside the courage it takes for people of color to survive. If my voice rings false, gets overloud, if I protest too much, how am I distancing myself? How am I trying to retrieve, in the midst of speaking out against racism, my mantle of white privilege to protect me from the possible consequences?

If I dropped my white protection on the camping trip, at the gas station, at work, what would happen to me? Would I be only female, only lesbian? How would I keep myself safe?

I come back to the system of oppression, of white supremacy, patriarchy, heterosexism. Racism keeps me in line as a white woman, as a lesbian. It keeps me clinging to my white cloak to protect me in a world which is inherently opposed to my whole survival. This world would like parts of me to survive but not all of me, and so it requires that I constantly act in a way that highlights the acceptable parts.

I can feel this especially at school, at work, in places where rank and status are informed by performance, by what I am able to produce and deliver.

I re-read what I wrote earlier** in this post and my words jump out at me. I can see how the system functions in my speech to help me forget my white identity while at the same assuming white is normative. Made more visible, it looks like this:
But they [white co-workers] are anxious, too, anxious (because it is work) to give the right response, to support me and my "pet" issue. So if I speak about racism at work I know that I am always walking into / answering against a mix of fear and anxiety [white anxiety about being held accountable or losing face as non-racist and color anxiety about survival]...and it is very clear to me that it is my fault.  
By talking about race, I have raised up fear and anxiety [in white co-workers]. Part of why my [white] co-workers wish I would just shut up is because fear and anxiety are uncomfortable feelings. Work is about being a team, from bagels in the morning to happy hours at Sam's, we are a family. "Let's all get along" sounds like "let's be white" to me...let's pretend that race isn't an issue, which means pretending we [all co-workers] are all white (we aren't) and that the experiences of co-workers of color aren't any different than white [co-workers] experience...at least not enough that we [white co-workers] should talk about it.

What I want to remember is the way in which my speech both limits what I can think and, in that, how much I can hold myself accountable for my racism, and how my speech limits my effectiveness as an anti-racism activist. In arguing against the system, I perpetuate it. Not only in overt distancing behaviors, but in a lack of imagination for new words to describe my reality. Earnest, well-meaning, desperate to be of use and be helpful, my rhetoric itself still supports the system of oppression.

My friend's voice shook as she spoke, her body trembling. I remember this clearly. It was her body trembling that made me notice her voice getting louder and the sense of readying for a fight. It is in my body that I can sense something I have written as not-quite-right. Subtle, elusive, but there...a flag to look for the hidden words, the language of the system.

In my body, too, I can feel the fear of being female, of being lesbian. I don't know if you can hear this in the words I used, which are simple - "gas station at night" - "men with guns in a pickup." I can feel it as I write the words. The words are rhetoric, the images generic, but the fear is deep in my belly and very real.

And there's the note of melodrama that I hear in my voice and in other well-meaning white women's voices. It almost has a tinge of hysteria. When white women talk about race we are afraid of what it will cost us, of how we will survive without white protection. So we want to talk against racism but we don't want to lose white privilege, not really, more like we just want to broaden the mantle to 'include everyone'.

If I can use my body to pay attention to my speech then my belly shows me the next question. How can I live dangerously? How does the fear of losing privilege and becoming vulnerable serve me as I do this work? 

My gut sense is that the fear itself is useful for white activists - an opening point in which we can move forward with more authentic strength if we choose to be vulnerable. I choose to stay present / not run away / get curious. I choose not to defend / close down / fists up. I choose to be open. I choose to see what happens when the white cloak of protection goes away. I am willing to be vulnerable and unprotected, because white protection is not worth the life of my friend. White protection is not worth the half-life of myself, the survival of only parts of who I am, who I might be to my community, my world.

Tuesday, May 10, 2011

The Privilege of Being a "Good Person"

I was sitting over lunch with my friend Vanessa at E'San in downtown Portland to have our first conversation about race. We both love Thai food. We've been friends for almost two years, but white lesbian woman (me) and Black straight woman (her), we'd never talked about it. IT. Because race is scary and uncomfortable for white people - for me. Why go there?

Vanessa's ancestors were enslaved. Sold. Separated from family. Owned as property. When she talks about it, my friend's body shakes. She is an anti-oppression trainer. She is gentle. She tells me: "The way oppression works is to prevent intimacy. If white people actually had relationships with people of color, racism couldn't stand." My throat hurts from trying not to cry. I have read stories before, about slavery, but this is my friend. I refuse to cry or interrupt or make it about me. I listen. It hurts to listen.

Later, after we've finished lunch, it starts to rain. I'm reaching for my coat and hear myself say "I just want to be a good person." I follow that thought and try to explain why this feeling is what makes talking about race so scary for me as a white woman. I live in a world where I don't have to acknowledge my race because I am  "no-race," the white one invented by slaveholders to keep my working class people from allying with enslaved Africans and Native Americans. And that's just on my mother's side.

Peggy McIntosh says "whites are taught to think of their lives as morally neutral." Among the things I never learned in my high school AP history class is that from 1790 to 1870 the US signed 371 treaties with indigenous nations and broke every treaty it signed. I live on stolen land, on property illegally taken from  people. I profit, today, from this thievery. On my father's side, I am German, the first generation in my father's family to be born in the United States, heir to the legacy of Hitler and the Holocaust. But I just want to be a good person.

Reading Peggy's essay, I start to list my white privileges, such as my student loans, the civil service job my father got me with the Navy, the privilege of not having to think about race unless I feel especially "brave". I make a list of privileges two sheets long and then I realize something. Being a good person, feeling morally "neutral" about my actions, my activism, what I try to see or fail to see, all of that "being good" is a privilege.

Robert Jensen says that whites fear losing our white centrality and the comfort of being in situations where our understanding defines the interactions. I ask myself: Am I willing to not be central? Am I willing to not be able to be "right"...or maybe even more important, to not be "good"?

I'm what Frances Kendall would call a well-meaning white woman, an ally wannabe. The question for me isn't just about listing the privileges I have, but being honest about which ones I do not want to give up, even for the sake of justice, even for my friend. I don't want to be uncomfortable, guilty, ashamed, hurt, bad. I like the privilege of being "no-race," of being "above it all" -- of being dominant. This is the truth, no matter how much I might want to pretend otherwise.

It's all pretend, that's what I come back to. My "moral neutrality" isn't a fact that I can abdicate, it is an illusion under which I labor, and one that keeps me from being authentic, from being intimate, from being real. That's the sucker punch to the gut that all this thinking brings me to.

It isn't that by talking about race I give up the reality of being good. It's that I finally accept what has always been true: White is not good. And I am white. And the sooner I let that reality just be and refuse to pretend differently, the sooner I can start being a real friend, and maybe more than that, a real person.

Monday, May 9, 2011

The Pleasure of Poetry & the Problem with Words

Nikky Finney has a new book out, "Head Off & Split." She is a powerful woman. Powerful words. She makes me weep and cheer. I read her until late last night and woke this morning inside a poem, words which slipped away before I could close my fingers and catch them.

I've been thinking of the problem of words since reading Jane H. Hill's The Everyday Language of White Racism. Jane deconstructs Mock Spanish to demonstrate how the casual, joking, "harmless" loan of Spanish words, misshapen and irregularly conjugated, reinforce an ideological view of Hispanic Americans as casual, easy-going, i.e. not to be taken seriously or respected. Like so many aspects of racism, it is subtle and potent, part of the fabric of everyday speech.

This morning I called to make a hotel reservation for my wife and I. Mentioned my "sweetie," and the woman on the other end of the phone asked for his name. Such little things.

I'm thinking of words, too, because Kate Swift passed away recently. She and Casey Miller discovered sexist language while copy-editing a sex education manual. "It was the pronouns! They were overwhelmingly masculine gendered." Today it seems obvious that if you always say "he" you privilege male reality. But in 1970 when the realization hit, Kate said: "we had been revolutionized."

Revolutionized. A revolution of language. Because language limits both what we can think and how we can communicate those thoughts to others. Yes, please.

Jane Hill quotes a 1985 study by sociologist Stanley Lieberson. He introduced the sentence "Americans are still prejudiced against blacks" and studied his subjects' response. White people seldom heard the contradiction. Yet Lieberson's other test: "Americans still make less money than do whites" startled and confused them.

Hill is a linguist so when she concludes "Whites" can stand "metonymically" for "Americans" in a way that "Blacks" can't, I have to reach for my google. Wikipedia tells me that a metonym is a "figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated."

So white is intimately associated with American. The words which represent the concepts which construct the reality share a bed at night, spoon against one another in the dark. It is an unromantic but wholly monogamous relationship. Neither of them date other people. What I don't know is who has the upper hand. Is it white that owns American or American that owns white?

These words - "American" - "democracy" - "citizen" - have the power of who they can describe built right into their very syllables. I don't know how much of the ideas the words represent can be salvaged.

My attempts to speak about racism are blind and uncertain. Every time I type the word "we" I have to stop. Who is in my "we"? White people? Almost always yes. Who isn't in my "we"? Almost always, people of color. If I always label my we, "white," do I reinforce the problem?

Poets are my prophets and my hope. Nikky Finney reminds me to be precise and to trust in the power of metaphor. A metaphor is a figure of speech which "carries over" meaning from one image to another, often dissimilar one. So if we have a problem of say, Black not meaning American, then possibly we need a metaphor, like, for example, the photo of Obama in the Situation Room, to help us out.

Metaphor reminds me, too, of the power of Spirit, by which I mean the Holy One who made all things. Holy One comes into my language when I read metaphors, because in the gap between the words, in the carrying over, Spirit stirs. Ask any poet or writer and they will tell you this is true.

"You cannot keep messing with a sweet-looking
Black woman who knows her way around velvet.
...
A woman who believes she is worthy of every
thing possible. Godly. Grace. Good. Whether you
believe it or not, she has not come to Earth to play
Ring Around Your Rosie on your rolling
circus game of public transportation.

A woman who understands the simplicity pattern,
who wears a circle bracelet of straight pins there,
on the tiny bend of her wrist. A nimble, on-the-dot
woman, who has the help of all things, needle sharp,
silver, dedicated, electric, can pull cloth and others
her way, through the tiny openings she and others
before her have made.

A fastened woman
can be messed with, one too many times.

With straight pins poised in the corner
of her slightly parted lips, waiting to mark
the stitch, her fingers tacking,
looping the blood red wale,
through her softly clenched teeth
she will tell you, without ever looking
your way,

You will do what you need to &
So will I."                              --  Nikky Finney, "Red Velvet (for Rosa Parks, 1913-2005)"